'Meti' Series - All Liturgies

“To train with the sword, first master sweeping.

When you have mastered sweeping, you must master the way of drawing water. Once you have learned how to draw water, you must split wood. Once you have split wood, you must learn the arts of finding the fine herbs in the forest, the arts of writing, the arts of paper making, and poetry writing. You must become familiar with the awl and the pen in equal measure. When you have mastered all these things you must master building a house.

Once your house is built, you have no further need for a sword, since it is an ugly piece of metal and its adherents idiots.”

– Meti’s Sword Manual

“A brain is useful only up until the point when you are faced with your enemy. Then it is useless. The only truly useful thing in this cursed world is will. You must suffuse your worthless body with its terrible heat. You must be so hot that even if your enemy should strike your head off, you shall continue to decapitate ten more men. Your boiling blood must spring forth from your neck and mutilate the survivors!”

-Meti’s sword manual

Meti’s Sword Manual

Argument

1. Glory to the Divine Corpse, o breaker of infinities

2. I am Meti, of no house but myself. In my 108th year I am surrounded by fools. My compatriots cling obsessively to their destiny, and my only apprentice is an idiot speck of a girl with more talent for eating than skill with the blade. Therefore I have decided to die drowning in the boiling gore of my enemies, of which there are many.

3. My master was the greatest lord general to the king Au Vam, Ryo-ten-Ryam, who first coaxed me into learning the ways of turning men into ghosts. As his interest quickly turned to the wholly uninteresting and most useless parts of my body, I returned the favor and relieved him of his.

4. It is my personal opinion the straight sword is best if you can obtain one, but I also favor the sabre. The spear, stave, or club are peasant’s weapons of which I am wholly unfamiliar and so will not speak on them.

5. Upon meeting me, you might find that my appearance is quite dreadful and unkempt. I have been spat upon by priest, king, and merchant alike. I have no retainers, and possess nothing except a straight sword six hand spans (5 and a half kret) long (this is the proper length). This is because I am Royalty and the undisputed master of the principal art of Cutting. I will fight naked with ten-thousand men.

6. From the age of thirteen I practiced every day with the straight sword. I followed a strict vegetarian regimen, and harsh training of barefoot sprints (five) between cities, squats and breathing exercises (two bells), and sword drills and resistance training (three bells).

7. By the age of sixteen, my body was a steel edifice. I was so often mistaken for a man I began to wear my hair long with no pins and unbind my breasts. I could break stone with my hands with no effort, I could sprint between the Yellow City and the Lunar dominions in a day or less and barely strain my breath. My mastery of the sword complete, I enlisted in the Middle Army’s third legion, where I was widely respected as a swordswoman of incredible power.

8. When it came time to face my first real opponent, the Colossus of Pardos, in my youthful pride and immense skill, I brought all my training and mastery to bear. Scarcely half a day passed before my sword was shattered into thirty pieces, my right leg was almost torn from its socket, and my honed body was broken pathetically in a hundred and forty places. I defeated him by gouging his brains out through his breathing valves. My thumbs, in this case, proved far more useful.

9. At that moment, with my thumbs in his brains, I had a revelation. I had trained far too broadly. Existence and the act of combat are absolutely no different, and the essence of both, the purity of both, is a singular action, which is Cutting Down Your Opponent. You must resolve to train this action. You must become this action. Truly, there is very little else that will serve you as well in this entire cursed world.

10. I hope that by reading this manual, you will be thoroughly encouraged to become a farmer.

Meti’s Sword Manual

Mastering the sword

1. YISUN’s glory is great, and you may know this by two paths, the sanctioned words, and the sanctioned action

2. The sanctioned words are YS ATN VARAMA PRESH. The meaning of these words is YISUN and their attainment is Royalty.

3. The sanctioned action is to Cut.

4. To Cut means division by the blade of Want, that parer of potentials that excises infinities.

5. To train with the sword, first master sweeping. When you have mastered sweeping, you must master the way of drawing water. Once you have learned how to draw water, you must split wood. Once you have split wood, you must learn the arts of finding the fine herbs in the forest, the arts of writing, the arts of paper making, and poetry writing. You must become familiar with the awl and the pen in equal measure. When you have mastered all these things you must master building a house. Once your house is built, you have no further need for a sword, since it is an ugly piece of metal and its adherents idiots.

The 18 Precepts

1. Consider: there is no such thing as a sword.

2. Your stance must be wide. You must not be spare with the fluidity of your wrists or shoulders. You must have grip on the handle that is loose and unstrained. I heard it said you must be tender with your sword grip, as though with a lover. This is patently false. A sword is not your lover. It is a hideous tool for separating men from their vital fluids.

3. Going onwards, you must adjust hands as needed, do not keep the blade close to your body, keep your breathing steady. This is the life cut. You must watch your footwork. Your feet must be controlled whether planted on fire, air, water, or earth in equal measure.

4. Breathing is very important! Is the violent breath of life in you not hot? Exhale! Exult!

5. You must strive for attachment-non-attachment when cutting. Your cut must be sticky and resolute. A weak, listless cut is a despicable thing. But you must also not cling to your action, or its result. Clinging is the great error of men. A man who strikes without thought of his action can cut God.

6. To cut properly, you must continually self-annihilate when cutting. Your hand must become a hand that is cutting, your body a body that is cutting, your mind, a mind that is cutting. You must instantaneously destroy your fake pre-present self. It is a useless hanger on.

7. A brain is useful only up until the point when you are faced with your enemy. Then it is useless. The only truly useful thing in this cursed world is will. You must suffuse your worthless body with its terrible heat. You must be so hot that even if your enemy should strike your head off, you shall continue to decapitate ten more men. Your boiling blood must spring forth from your neck and mutilate the survivors!

8. You must never make ‘multiple’ cuts. Each must be singular in its beauty, no matter how many precede it. You must make your enemies weep with admiration, and likewise should your head be shorn off by such an object of beauty, you must do your best to shed tears of respect.

9. When decapitating an enemy, it is severe impoliteness to use more than one blow.

Meti’s Sword Manual

The 18 Precepts

10. A man who finds pleasure in the result of cutting is the most hateful, crawling creature there is. A man who finds pleasure in the act of cutting is an artisan.

11. Man always strives to cut man. Therefore he who draws his sword the fastest is the survivor. To pre-empt this, you must live, eat, and shit as a person who has their sword drawn. It doesn’t matter whether your blade, in actuality, is always out of its sheathe, though you will look like an idiot if it is.

12. Consider: The undefeated swordsman must be exceptionally poor.

13. The weak swordsman reserves his sword strokes. He clings excessively to his blade. His footwork is unsteady. His grip is too hard and he is afraid to crack the earth with his step. He has a shallow and wandering gaze, his tongue is sluggish and pale. He refuses to exhale the hot breath of the Flame Immortal.

14. The weak swordsman clings to victory. He thinks of his life, his obligations, the outcome of the battle, his hatred for his opponent, his training, his pride in his mastery. By doing so, he is an imperfect vessel for the terrible fires of Will. He will surely crack. He will not laugh uproariously if he is cleft in two by his opponent’s blade. When his sword is shattered, his hands will be too reserved to tear his enemies’ flesh.

15. The weak swordsman strikes his enemy down and thinks his task done. He relishes in victory. He casts away his sword and returns to his lover. Little does he know his single cut will encircle the world five times and strike him down fifty-fold.

16. The weak swordsman clings to his instrument. It is better you have a sword, but death must lie under your fingernails, if need be. Learn death with your elbows, death with your knees, and death with your thumbs and fingertips. It is said death with the tongue is useful, but I find words too soft an instrument to smash a man’s skull.

17. In manners of terrain, you must learn to cut yourself from it. You must cut even your footprints from it, if need be. Have complete awareness of each crawling thing and each precious flower, each blade of sweet grass and each clod of bitter earth, each beating heart and each being that thrums with love, hope, and admiration. Only then are you qualified to be their annihilator.

18. Excess heat and excess coldness are undesirable. Learn to read the weather.

Closing

1. It is said the greatest warrior-kings may sublime violence and forget all they learn about the sword. This is true. But the only true path to kingship lies through regicide.
2. Moreover, only the worst kind of idiot strives to be king.
3. My extreme hope is that some measure of wisdom will penetrate the thick skull of my apprentice. If not, may reading this manual demonstrate your powerful disinterest in it, and may its true value die with me.
4. Reach heaven by violence.

“My apprentice asked me why I prefer the company of dogs to men. I told her that a man is an kind of intolerable monkey who clings obsessively to his own fate. To subvert his mortality, he inflicts death and unfathomable torture upon the world. My apprentice told me that I was being a little severe, and asked me about dogs.

I told her that dogs keep my feet warm, and they care very little how badly I insult them. In this respect, they are also better than apprentices.”

– Meti, of the Yellow City

‘On the topic of dogs, a passing priest once pressed me quite fervently on the subject of my own mortality. He was very concerned about preserving the nature of my immortal essence. “Grandson,” said I, “I am old and my bones are sopping with death already. Why should I care?” He went on to describe in great detail the rituals that could be undertaken to guard one’s soul against degradation and ensure smooth passage to the next realm.

“Do you perform these rites every day?” I asked him, trying to humor him. “Of course, auntie,” said the priest, “Every morning before I wake fully I perform my rites, then four more times a day before rest. It keeps me in good health and spirits, knowing that my death will be a golden door to paradise.”

“Four times a day?” I said, incredulous. “Of course,” said the priest, “Don’t you think about dying, auntie? You should be worried, at your age.”

“Do you think about dying?” I asked him. “How about before sleep?”

“Yes,” he said, seeing that I was clearly straining his good nature. “How about when you bathe?” I asked him. He thought a moment. “Well, sometimes,” he replied. “How about when you shit?” I said. “Never,” he said brusquely.

“Not even once?”

“Well maybe once, but I don’t see the point! Who knows?” he said, clearly seeking to draw away from me and peddle his wares onto more the more gullible trash that populated the gutter. “A dog has more sense than you,” I said to him, and thumbed at a lazy mutt that was picking through the market. “He doesn’t think of death at all. Not when he sleeps, not when he bathes, and certainly not when he shits.”

“And I supposed there’s a point,” said the priest.

“You and he will both die,” I pointed out to him. “The four great elements of your bodies will collapse one into the other and you will both become no more substantial than a fart.” I should mention at this time in my life I had very little patience for rhetoric.

The priest spat on me later. I didn’t mind.’

-Meti, of the Yellow City

“A man who strikes without thought can cut God.”

-Meti’s Sword Manual

” EMPTY PALMS

An internal, cold-atum style said to be as ancient as the gods themselves. It is said the god Ovis taught it to the first angels, who taught it to the first human, Metia. The style involves miraculous alignment of the body’s meridians to multiply the muscular power and striking force of bare handed strikes tenfold. Since the style relies heavily on the cultivation of internal force, its external strikes may seem unassuming to the untrained eye until they hit their target with the force of an ox cart.

It is said masters of this style can so precisely align the channels of power within their body that they can project the force of their blows at range, sometimes up to thirty or forty paces away. One old master of this style, who dwells in Fifteen Rivers, makes a great show to visitors of striking a heavy cast iron bell some 5 or 6 shins high with great blows from his fists, though he stands apart from the bell quite some distance.

A practitioner of this style must take tremendous pains to use it effectively. The style was originally developed for battling and destroying various titanic void monsters and unbound devils, and is rather difficult for humans to learn. A student must train rigorously, keep a strict diet, and maintain fine bodily control in order to effectively utilize its techniques. Therefore, it has always been an unpopular school, seen as somewhat old fashioned. None, however, deny the power of its techniques, which include YISUN’s Open Palm, widely regarded as an unbeatable move.”

– Manual of Hands and Feet

There is only one way to be a pure master of sword law. This is to allow your body to become absolutely soaked with death.

Death is always in the body at all times, but happier people are able to let it live only in their skin, or on the surface of their eyelids. They may easily wash it off from time to time and carry on with their lives.

When I tell my students to shave their heads, partly it is so they cannot rid themselves of death so easily. Those who do not bathe in death regularly will forget it is there, and that is a very stupid thing to do when swords are involved.

– Meti Ten Ryo

“When Metia, the first human, crawled from the ash of Koss’ hearth, misbegotten as she was, she was so small, defenseless, and naked that the gods that found her took pity on her. Examining her closely, they found to their amazement that she bore the gift called Death and therefore was able to die, the first truly mortal being on the Wheel. This discovery would later yield great understanding among the gods and lead eventually to their self annihilation, but that is a story for another time. At the moment, they were astounded that a being so weak could exist at all, and therefore lavished her with many secret fires and gifts, so concerned they were with her safety. They first taught her the means of language, and finding secret things, and of making fire and finding food. But it was not long after that they resolved to teach her to defend herself.”

– Eight Hundred Manual

“Ogam was the first to teach Metia the ways of violence.

‘Make a fist,’ he said, showing her how, ‘And marry it with your enemy’s jaw.’

-Psalms

“What if my enemy should harm me?” asked Metia of Ogam.

“Harm him first,” said Ogam, “Or else, have a very thick skull.”

– Psalms

KRAYU MAT

“I made several feeble attempts to learn this art, but was rebuffed in my efforts by its very nature. It is, by my best attempts at researching its origins, the oldest martial art in existence. The human Metia was said to have been taught many martial arts by the gods upon her birth from Koss’ hearth, but the angels say Krayu Mat is older. It was (purportedly) taught to them by a god whose name has been forgotten. Today it is exclusively practiced by angels, who regard its practice as highly archaic. All angels know it, having learned it at some point during their repeated reincarnations, but it is extremely rare and unusual to observe it in practice, for the simple and plain reason that its origins are in the primal killing movements of angels in their ancient forms, whose foes at the time were enormous unbound devils, beings of myth, and lesser gods.

Each of my inquiries with the Concordant Knights led to exactly the same conclusion, which they explained to me with great patience and kindness: it was impossible for me, a being with a weak soul flame, to practice Krayu Mat, as it would tear my flesh in ten thousand places and utterly annihilate my physical body. ”

-Manual of Hands and Feet

“In that moment, Metia discovered that the weight of a god was slightly less than that of an empty welk shell.

She hurled her opponent ten leagues with the flick of her finger, and that was that.”

-Psalms

“A swordsman is at his most natural state when he thinks of nothing at all. Thoughtlessness is the natural state of things, and thinking is probably the biggest mistake of amateurs. By completely disavowing use of that pesky organ in your skull all that is left is the hard and old nerves in the body that think about deep and consequential things such as survival. They know exactly what to do, and they are smarter than you. You become a completely naturalistic and comfortable animal, who’s only motivation is the killing impulse.

To give you an example, I once spent the better part of a summer afternoon killing thirty five men from the Kagen Amat school who had been sent to execute me, returned home, and I had made most of supper before I came back to myself. I remember the incident poorly but several of the men were almost certainly master swordsmen who had studied the blade for most of their lives, and I unfortunately was still an idiot at that time and had taken no weapon with me. I ended up using a piece of driftwood I picked out of the surf. It was quite pleasant and not difficult at all.

Some people think my story an exaggeration and that I had a hidden blade on me or had used perfidious tricks such as poison or several of my friends hidden in ambush. I tell you no such thing is true. I started my afternoon out taking a shit on the beach and I ended up decapitating fifteen men. I had clams for dinner.”

– Meti ten Ryo

“Listen well, peasant girl. The time is long past I teach you the ultimate technique, as I have promised.

The only thing you must understand about this technique is it is purely for killing. This is the cut of no cuts, the form of no form. It doesn’t have a name. There is no school it belongs to. There is no master it belongs to, not even you. There is no purpose it belongs to. It is a poisonous technique, the product of a thousand venoms distilled from one master to the next, back to the line of the Gods. All my master used it for is stacking corpses, and his master before him, and his master before that, and that is all you shall use it for as well.”

-Ryo, to his student Meti.

“Secret techniques? Here, girl, I’ll show you a secret way to pick your teeth. Ha ha!”

-Meti ten Ryo to her student Mathangi